How I’d toss them back in grubby fistfuls, between chokes on the juice, as honied explosions—sour and sweet—took me to Heaven and back then ‘round, again, while she looked out the screen door, tossing hair from her eyes—cup of black coffee in one hand, cigarette in the other—staring at my father working in the field, beyond. 

Adversity finally arrived and in a swarm. For hours Gemmer had hidden in the brush; his horse now dead from a single shot. Having learned over the past months to move with great stealth, he had been able to slither here and there until he came to a dense spot in the woods where he could hide for a time—perhaps deep into the night. But that was past. The enemy troops were onto him.

FILM / Trouble in Paradise: Maren Ade's "Everyone Else" / Kevin Parks

Vacations are exhausting. And what’s most exasperating about German writer/director Maren Ade’s Everyone Else (2009) is that there’s no escaping the claustrophobic world she’s created. The volatile coupling of Chris (Lars Eidinger) and Gitti (Birgit Minichmayr), holed up together at Chris’ parents’ Sardinian villa, defies any expectations for a customary on-screen getaway.

As Judge McDonough waltzes down the hallway towards his chambers, with three defense attorneys in tow, suddenly Johnny Lagatutta races past me and the other attorneys—including the defense attorney whose client had just been locked up, and jumps atop Judge McDonough’s back. Lagatutta wraps an arm around the judge’s neck and secures his choke hold with the other hand. McDonough swings his arms, trying to reach back to free Lagatutta’s grip, to no avail.  

Autzen Stadium is many things. At worst, it is an edifice of concrete and steel, that’s seen millions of dollars in renovations funded by a man who’s devoted similar levels of capital to influencing local elections. At the same time, Autzen is a thing of beauty. For a few Saturdays in the fall, tens of thousands of people fill the seats, regardless of weather.

Halfway to the supermarket, my mother wants to know if I’m in the mood for some R&B music because I still haven’t said a word. The next thing I know, she offers me her right hand. I take it, but I’m still unsure why she did it. Maybe it’s all part of her plan to force a big smile onto my face. She takes my silence as a no. “A cigarette, then?” she asks. “Beer? How about a beer?”