The best portions of A Star is Born play out more or less like the film’s well-edited trailer: fast-paced, gorgeously photographed scenes set against emotional tunes. But once past the moment in which Gaga gets her big break (a scene which is a contender for the very best of 2018) the movie settles into rote Behind the Music cliché. Cooper is better than he’s ever been, and shows great promise as a director. Gaga is, as ever, playing for the back row in every scene, whether she’s singing or acting. I’ll leave you to work out if that’s a compliment.