Like Mom said, “when you assume, you make an ass out of u and me”. Lane Pryce assumed that the woman he met on the internet would treat her marriage as disrespectfully as he does his. Joan Harris assumed that she was being replaced. Pete Campbell assumed that bringing in most of the clients would get him respected by his bosses and fulfilled at work and home. Harry assumed that dropping 30 pounds would make him less of a jackass. Roger Sterling and Bert Cooper assumed they still had relevance. The African Americans fighting for Civil Rights assumed SCDP actually cared about equality. And Don Draper assumed that he had Megan’s number. And so did we.

On any other network, Community would never have come back. Luckily, Community airs on NBC. This is great news, not because the network will stand behind a critically acclaimed but low-rated show with a loyal following and huge internet buzz, but because NBC has fuck-all-else to air. The network shifted its line-up around to give more attention to new shows Whitney and Up All Night, and placed its beloved 30 Rock in Community’s time slot. 

As soon as Sue Sylvester uttered the words “homeless shelter”, I knew this would not end well. But let’s back up a bit. You see, Sue Sylvester, last seen trying to end liberal arts programs in Ohio public schools, asked the Glee kids to help her feed some local homeless on a random night in December and also if it’s not too much trouble, could they, while there, sing a bit about how awesome they are for helping her feed homeless people?

Glee and Community are polar opposites. Glee seems revel in how lazy it can be. It’s a show built on routine that seems more intent on maintaining its franchise than taking risks. Risk taking is what Community feeds on. It’s a carefully crafted show that thrives on being as different as possible, constantly walking a tightrope where one false move could send it into failure – but it’s the risk itself that makes each of the more daring episodes work so well. 

The songs were really great this week. I realized that I don’t talk enough about the musical numbers, which is probably the show’s biggest draw, and let me say upfront the songs were all pretty damn stellar this week. I’d never heard the one about the red plastic cup before, and I like it. Not sure what the hell that had to do with Sam returning, but whatever.

There are seven members of the study group on Community, but sometimes it seems like there might as well be six, because Shirley so often gets the short end of the stick. Often she’s given only a few lines an episode and a chance to coo “that’s niiiiice”, or to make a judgemental remark under her breath. But even in the tiny hints we’ve gotten of Shirley’s life we’ve seen we know that she’s hiding a tremendous rage underneath her glittery surface.

When NBC announced its mid-season lineup on Monday a mighty cry echoed across the internet: “Where the fuck is Community?” The network pulled the show from the back half of the schedule, though it will allow the entire season to be produced and to air them…whenever. People have been quick to note that this is not a cancellation, but it’s certainly not good. Hopefully NBC will put the past seasons of the show on Netflix Instant Watch, allowing people who haven’t seen the show to catch up in the wake of this internet buzz, and then be ready for the new episodes, whenever NBC decides to air them. 

Okay. Well. Since I’m a glass half-full kinda guy, let’s talk about those last five minutes first. Santana learns she’s been inadvertently outed publicly after goading an angry Finn into calling her a cowardly lesbian. Leaving aside Schu and Sue’s decision to surprise Santana with a tape of the commercial for maximum impact instead of just telling her what happened, the scene itself was very effective and deeply sad.

Hi. My name is Ryan. I’m 36 years old. And I watch Glee.

I wasn’t always ashamed of being a Glee watcher. I fell in love with the dark, absurd pilot and was immediately hooked. Sue Sylvester was hilarious, Mr. Schu was optimistic and earnest, yet not above framing and blackmailing minors, Finn and Puck were dreamy, and Rachel could really sing. But soon I became disenchanted by the inconsistent characterizations, the twee moralizing, the incessant auto-tuning. Oh, and that one time the deaf kids sang “Imagine” and then the Glee kids got up and took over.

When Community is firing on all cylinders, there’s nothing like it on television. From zombie attacks to chicken-finger crime rings to multi-dimensional pizza parties, the show has been continually innovative for the past two seasons. In lesser hands, the wilder episodes could play as empty stunts, but thanks to the efforts of Dan Harmon and his writers, and a cast unparalleled in any comedy on television right now, those episodes are not only hilarious and bizarre, they reveal aspects of the characters that gives the show’s more serious moments a genuine grounding in emotion.