The second wave of the virus came and went. Ben caught it again and died before signing the divorce papers or changing his will. He’d refused to sign. He’d called her at least once a week the first month, begging her to give him another chance. “I’ll change,” he said. “Just tell me how you want me to change. I don’t understand what you want.”

Jawbreaker ultimately distinguishes itself through its specific treatment of high school politics, especially through its wicked screenplay, slick visuals, and lurid narrative. Even the name of the school, Reagan High, evokes a political atmosphere in which, as I mentioned, Foucault’s structures of power apply themselves to angsty, late ‘90s adolescence.

He put the sunglasses on so they were propped over his forehead, just a few inches from her own. Only her purse separated them. His eyes were a sort of olive green; they seemed to her kind, thoughtful, beautiful. She fought herself blinking; the tingling at the bottoms of her feet had intensified, and she felt color rising into her cheeks.

I taught high school and was off for Patriots Day, a Massachusetts state holiday which commemorated the battles of Lexington and Concord and the birth of the nation. Most Bostonians thought the day off was to observe the running of the Boston Marathon and to attend an 11 am Red Sox home game. Which, I suppose it had become. But this, this changed everything.