He had a nice smile, friendly and innocent-seeming. She wanted to tell him about her mother—she was exploding with it. She shouldn’t be here and neither should he. The universe shouldn’t be continuing without Bee-Bee. But instead, she nodded to him, trying to look normal and not ripped in half like a cheap pair of pants.

But something Del Rey could not have seen coming from her vantage point in 2019 was that she might actually call the apocalyptic elements in the landscape of 2020– with startling accuracy— to the point where I’m half-convinced, though the song is called “The greatest,” she likely thought, whimsically, of adding a parenthetical title “(life in a disconnected zoom call),” not yet knowing what it would mean.

Not 50 years after Reconstruction and a decade after the World War I ceasefire, America sought fresh, bold voices—new visions of a united country, pacification. But Faulkner and Toomer weren’t interested in propaganda. The two writers revealed to the nation its bitter truths. They painted a country marred by obsolete traditions and crumbling heritage, revealing festering racism.

But I didn’t move. Lane certainly wasn’t going to. Instead, we waited for Dave to calm down and pass the giant spliff around. After his eyes turned dull and we sensed his will begin to sap he let us have our turn on the joint. We puffed away and then sank into a dense haze, dipping in and out of consciousness, forgetting everything. It was hard to argue this wasn’t the solution to everything.

Frankie’s (estranged) sister was a guest on the talk show of the 90s, the one with its own studio, the one where cars were bestowed on the audience like party favors, claiming she’d witnessed ritual murders. Frankie ponders, with irony, how he and his other siblings could have missed such memorable events. Repression, most likely.

There’s a scene where Lucy and Ethel stare at the old-fashioned (even for them, yes) lawn mower that they borrow from the Ramseys, trying to figure out how it works. Once atop the mower, and once the engine is “cranked up” thanks to Ethel, Lucy’s comedic prowess does the rest. The mower runs amuck, and unless you’re dead inside, you laugh for real. Lucille Ball utilized every fiber of her body for comedy.