Sodom, Sodom
look back, look back
you will be Rorschach
a print of a man
so slit the blinds gently go ahead be my guest
and nudge the veins open to peek at your worth
the truck across the driveway, a barricade
its motor left running, pinned, wouldn’t you say
while scorchers with torches stampede through town
winds from the shipyards fan the brimstone
poisons break against the seawall at the end of your blood
the flood plains swallow the runoff of the wicked
who gasp incantations, a sea dead of sorcerers
knocked out by the whitecaps, skinned clean on the rocks,
and hardened to the landscape of a chokehold frontier
with tight leather gloves left behind dropped carefully.
Ken Been is a former speechwriter and copywriter. His poetry and prose are often set in Detroit, where he currently writes. He has placed poems in Passages North, Midstream and Chunga Review. More recently, his short story, “Iodine,” is forthcoming in Hospital Drive (University of Virginia).
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’