The sand sparkled like white mica. The beach
stretched beneath and beyond the boardwalk. Back then,
before your mother’s hangovers caused the sun
to make her head feel pounded like the puck
of the strongman game at Playland, she
was there with you—offering bologna sandwiches
on Kaiser rolls and peaches whose sweet juice
ran down your chin.
Back then, when she rose
from her beach chair, the weave imprinted itself
on the backs of her jiggly thighs. She’d stand
ankle-deep in the water, shading her eyes
to watch that you didn’t drown.
Decades later, when your mother
is in a psych ward, jabbering, tied
to her railed bed, you see her
lips: opening, closing like a fish,
her hands fisted into claws, her eyes
sealed. But you remember
the times she’d wade out to teach you
to float—her arms becoming your raft,
you squinting into her smiling face,
her blue eyes looking larger
with her dark hair covered
by her white bathing cap.
Rochelle Jewel Shapiro's novel Miriam the Medium (Simon & Schuster), 2003) was nominated for the Ribelow Award. Her second novel, Kaylee's Ghost, was a 2012 Indie finalist. She teaches writing at UCLA EXTENSION. rochellejewelshapiro.com
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’