If I could, I’d use
my recently purchased cell phone
to call the pay phone outside
the community swimming pool
in Fairview Park, Normal, Illinois,
that summer when I was eleven,
and the country 200.
And I’d have the phone ring
just as I was passing by on my
aqua-colored bike with 24-inch wheels.
I’d also make myself more brave
than I was at eleven.
I’d hop off the bike,
thwack the kickstand down
and answer, “Hello.”
And at the other end of the line,
I would probably not be so brave.
I’d hear that eleven-year-old voice
squeak its cusp-of-puberty
“Hello”—so like my own son
on the phone earlier tonight
as I spoke to him from a bedroom
in this creaky farmhouse
two states away from my home—
“Hello.” And I would not speak,
listening to my youthful breaths,
imagining me standing there
shirtless, hand on hip,
shouts and splashes behind me
muffled by the humid Illinois air.
No. No words. The keyhole
in the bedroom door lets in
a gem of light from the hall.
“Who—“ the boy says, “who is this?”
J.D. Scrimgeour is the author of the poetry collections The Last Miles and Territories, and he won the AWP Award for Nonfiction for Themes For English B: A Professor’s Education In & Out of Class. With musician Philip Swanson he released Ogunquit & Other Works, a CD blending music and poetry. His third poetry collection, Lifting the Turtle (Turning Point), will appear in November 2017.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’