Not even a Cyclops can stop him from shoving
folks out of his way, cutting to the front of the line.
A master of the proxy fight and poison pill,
his greenmail raids are sure to kill or leave enemies
quaking, immured in handcuffs of tarnished gold.
A skillful culinary artist, no sommelier can choose
a better wine, yet when dinner guests arrive
they sneer behind his back in hush-hush tones:
“He’s nothing but a fish peddler’s son, a Galitzianer
from the Bronx who can put together deals with
the zeal and lightening strikes he used snapping up
carp in the tub of their Jerome Avenue fish store.”
Hannah Arendt’s banality of evil got it right:
A son of a brutish Kapo, a swaggering bully,
shamelessly bulldozing those who played by rules,
joining the treachery of business as usual, like Dow’s Bhopal,
the blackened stain of Exxon’s spill, Kozlowski’s hand
in the Tyco till, Fastow, Lay and Skilling’s killing
and Bernie Ebber’s fuzzy math that left him with
King Kong’s dazed look behind iron bars, a legacy
of the indifference to the grief of others, mindlessly
addicted to always wanting more and more.
Milton P. Ehrlich, Ph.D. is an 86 year old psychologist. He is also a Korean War veteran who has published many poems in periodicals such as “Descant,” “Toronto Quarterly Review,” “Chariton Review,” “Vox Poetica,” “Red Wheelbarrow,” “Christian Science Monitor,” “Huffington Post,” and the “New York Times.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’