the drinking glass
you threw
across the room
shattered
against the wall
I had said
a wrong thing
I still hear
the explosion
fracturing the quiet
see sharp shards
stick straight up
in plush amber carpet
we were barefoot
that was years ago
if I could now
I would
put on shoes
walk across
plush carpet
pick up shards
color them
fashion them
into a stained glass window
through which I could
see
that weekend differently
the smell of rain
enveloping us
as we walked
at dawn
perhaps I could recall
the sweet note
pinned to our cottage door
welcoming us
by name
Susan Flynn has been published in Late Peaches, An Anthology of Sacramento Poets; No Achilles, An Anthology of War Poetry; Tule Review; Oberon Poetry Magazine; WomenArts Quarterly; Adirondack Review; Slab and Cosumnes River Journal. Susan is the author of a chapbook, Seeing Begins in the Dark, and she is currently in the process of pursuing a publisher. She has also attended several writing workshops and studied under Mark Doty, Fenton Johnson, Marie Howe, Ellen Bass, Carl Phillips, Susan Kelly-DeWitt, Kate Asche, and Pat Schneider. Susan has her BA in American Literature and her PhD in Clinical Psychology, and currently works as a clinical psychologist and a university professor. She lives in Sacramento and enjoys fly fishing, writing, photography, and playing the piano.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’