Too big for your body, the whale of a bed will go on sale; also the dresser, its
three-linked mirrors tall as sails.
I empty drawers of froth-edged linens sent from Sligo, clippings from concerts that spoke of early promise, a few hairpins. Find, beneath a crush of scarves, a silk sack, striped silver and gold. Inside, a prosthetic breast.
Flayed by a country doctor when I was thirty-three.
I cradle its weight in my hand. You ask to keep it, a bit of ballast.
In the last drawer, two boxes of dime store jewels, gifts from music students. I run beads smooth as seaweed through my fingers, dangle jeweled earrings. Their cast-off colors dance on the surface of the pale green spread. You know the name of each child. The boxes, and their names, go with you.
Only the piano is left, shipped from Austria, a gift from your father when you were six. Grand vessel you commanded through two wars, both a brother and husband disabled young. Sorrows you never spoke flowed from your fingers.
Nana, what shall I do with the piano?
Play it.
Dorty Nowak is a writer and artist living in Paris and Berkeley. She writes frequently about multicultural living, and is a co-founder of Duologues, a project involving poets and visual artists from around the world. She is a graduate of Northwestern University and The University of Chicago.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’