Who would have carried it this far,
up the crest between watersheds,
then quit before the downhill?
It doesn’t seem old enough
to have been stranded
when this land was covered
by shallow waters
that buckled and rose,
dividing the water in two.
Every year it sheds a board.
The paint muted,
drawn into surrounding foliage.
If the trees know the story, they aren’t saying.
A trunk has pushed through the hull
pinning the bow to the hillside.
So it can hardly be the lifeboat
we will step into
when the waters fill the valley again
that will allow us to float away.
Alison Hicks is the author of poetry collections You Who Took the Boat Out and Kiss, a chapbook Falling Dreams, and a novella, Love: A Story of Images. Her work has been nominated for a Pushcart Prize and has appeared in Eclipse, Gargoyle, Green Hills Literary Lantern, and is forthcoming in Poet Lore. She is founder of Greater Philadelphia Wordshop Studio, which offers community-based writing workshops.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’