I accidently knocked over
the Singer sewing machine,
an old black metal one I found
in a junk store.
It sits on my front stoop,
yard art, I call it.
All the neighbors stare walking by,
and only one has asked,
why do you have a sewing machine
on your steps?
Or the neighbor who uses it
in her directions, as in,
go 2 houses past the sewing machine.
But today that 40 lb machine
fell on its side,
and I thought of you,
and what you might think
in these dark days of our republic.
You, who raised me with all your
fiery rhetoric about democracy,
who used a Singer sewing machine
to put food on our table,
and kept sewing even when your
finger got pulled under the needle
and you slowly turned the wheel
and until it came out,
wrapped it with a white cotton strip
the red so bright
as you kept sewing.
Abigail Warren lives and works in Western Massachusetts. Her poetry has appeared in Tin House, Delmarva Review, Hawai'i Pacific Review, and numerous other journals. Her essays have been published in SALON and Huffington Post.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’