Here I am wearing June on my fingers,
earrings on my ankles, skinny dipping
in a public pool regardless of awe-struck
children, writing a note between gillyflowers,
slurping breakfast on the ice veranda, braiding
lavender though it’s long been brown.
Kissing you is like slipping
into the honey-nest
- don’t know how I fit
but here I am in the warm
harvest while outside
brash end-of-November
flowers dry and crinkle.
Strangers marvel at the auburn castle we build
with our mouths for a door. Here I am - right as stone,
unwavering in your ever-June arms, as if
it isn’t already winter and you’re never going to leave.
Shari Caplan is the author of “Advice from a Siren” (Dancing Girl Press). Her work can be found at Zoetic Press, is forthcoming from Blue Lyra Review and Deluge and has earned her a scholarship to The Home School in Hudson, NY as well as a grant for the Vermont Studio Center. Caplan has worked on The VIDA Count, as a reader for Sugar House Review, and as co-editor of Soundings East. She received her MFA in Poetry from Lesley University.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’