They do so quicken
to warn don’t they?
‘specially those that
have never dared or
worse, but sadly, onced.
Their protests hatched in
close spun spinster webs
who cry out not to reach for
the light because, oh dear!
Look at last time!
And if they had their
weary way hearts would
be cordoned off by
orange traffic cones and
a lone stalwart guard
motioning passersby to
move along now folks,
move along now,
nothing to see here.
Lindsay McLeod trips over the horizon every morning. His poetry has recently found homes in FIREFLY, THE FAT DAMSEL, BURNINGWORD, FIVE2ONE, MAD SWIRL, SICK LIT, LEAVES OF INK, ODDBALL, WORDS DANCE, QUAIL BELL, CORVUS, FOLIATE OAK, BIRD'S THUMB, FINE FLU, DASH, LITERARY NEST and AMARYLLIS. He currently writes on the sandy Southern edge of the world, where he watches the sea and the sky wrestle for supremacy at his letterbox. He prefers to support the underdog. It is presently an each way bet.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’