You are tracking a veery
you realize you have always been
after the singing near the excellent sea
excruciating reflection of the sun
on the water & you staring
at an oblique tree after a trill—
The sea never mattered. Your friend
last night said the coast was the only
reason she could stand as she stood
under a tree smoking, & you looked
behind her at a grafted branch
braced & tied to a driftwood splint
as if it could heal
or maybe since it never will.
You aren’t listening,
Listening never mattered, only
standing under a broken limb
as she talked about some other boy.
Somehow you all manage to be friends
though she used to get blitzed
& kiss you. Never sober.
You love her. You love veeries. inchworms.
Why? The bird illuminating the tree
the bug folding & pressing until
if,
if wind conditions, if travel plans,
the weather cooperating just right.
Then the veery bolts over the sound,
unimpressive to look at, sure,
but tugging long after you lose sight.
Joey Gould, a non-binary writing tutor, wrote The Acute Avian Heart (2019, Lily Poetry Review). Twice nominated for Bettering American Poetry and once for a Pushcart Prize, Joey's work has appeared in Moonchild, The Compassion Anthology, Memoir Mixtapes, & District Lit. Joey's character Izzie Hexxam features in The Poetry Society of New York’s Poetry Brothel. A long-time event organizer at Mass Poetry, they also plan & execute poetry events at Salem Arts Festival.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’