The cows got out again, so Dad drives his rusted bronco through the neighbor’s orange groves.
Headlights catch a spotted haunch of meat; his revolver squeezes juice from unripe, yellow flesh.
I lock the old shed we never use. In daytime, sunlight cuts through and offers the cross sections
of a defunct sprinkler pump, a broken shovel, a crumpled snake’s skin deflating without its flesh.
She sits on my lap and chugs wine. You look high. Do you want to dance? I used to be addicted
to cocaine. In her locked dorm room, a desk lamp replaces our pink skin with moon-flesh.
I sneak into an unfinished high-rise, mildew and drywall covering my hands like the flesh
of jasmine vines. A sudden timbre of footsteps—squatters maybe, ghosts maybe, inked flesh or no flesh.
Jerrod Schwarz is an MFA student at the University of Tampa and is also the managing poetry editor for Driftwood Press. He has been published in Dirty Chai, Scapegoat, Four Ties Literary Review, and others. The above things are a little mundane. In his day to day life, Jerrod does whatever he can to escape the heat of his Floridian climate, and has been known to take part in staring contests with alligators who would challenge an otherwise refreshing swim.
He made it possible. He was formerly a fabulist.
He was faceless, but he was ugly, graceless
and he made everything disappear.
aligning
as fingers
deftly dance
on checkered
smooth plastic
disco stage
Adam’s countenance: beer cask-heavy
his eyes: glazed shallots
his smile: a split itself
Now take away the need
for moisture and the deteriorating
qualities of autumn. The veins
and stems will release as well.
Take away the release. Take
away the seasons.
When Taylor Swift was at the gym in Japan
she watched the muscled back of a man
moving up and down a heavy machine
made by other heavy machines for men.
of spontaneous human combustion,
of pictures with the Cherry Hill Mall Santa,
of a stapler after getting my wrist stuck to my teacher’s green bulletin board,
and on the tv
a drag queen
sharing her recipe
for sun tea
asks us if we want to
watch her take a break
and we take a break
Honeywell closed their Minnesota plant quietly
and the addition of warning stickers on album covers
would save the children along with D.A.R.E., Nancy
and Tipper directing the conversation, for some reason.
I read, I traveled, I, Lina, thief’s daughter, a discarded toy by the campfire
at night, my planets – burned by sparks,
burned by coincidences, in my eyelashes – stalagmites of ashes.
Because Phil Collins is for fools and old ladies.
Because the ocean’s too wide a body of water
for a commando to cross alone. Because gentlemen
never kiss and tell, and soldiers never share
their kill count. Because you teach the meaning
of words like ‘amorous’ and ‘varnish’ and ‘leave.’